![]() |
|
PUBLIC MOURNING: THE NAMES PROJECT AIDS
MEMORIAL QUILT Objectives Creative responses are the best measure we have of the ways in which
Our traditional students at LaGuardia have never known a world without HIV/AIDS. Our older students straddle two lifetimes: the time before HIV/AIDS and the now. Despite the ways in which HIV/AIDS has radically chan ged the way we understand and enact sexuality, many students believe that they remain separated from HIV/AIDS, unless they know someone who is (or was) seropositive for the virus. In this lesson, I am working to introduce students to HIV/AIDS through the Names Project AIDS Memorial Quilt, to connect them to the history of HIV/AIDS, and to personalize HIV/AIDS through experiential exercises so that the pandemic becomes concrete for them, more than just a textual abstraction. Materials/Technology Brown or white banner paper Set Up This activity involves purchasing arts and crafts supplies, including banner paper, preceding the class. On BlackBoard, in the Discussion Board, set up a prompt which directs students to specific panels in the Names Project AIDS Memorial Quilt Archive and provide a direct link to specific images in the Archives. Additionally, prepare reflective questions for students to consider following their exploration of the gallery. Time: 3 hours 30 minutes—Names Project AIDS Memorial Quilt Gallery Exploration Background/Rationale I often teach HIV/AIDS related texts such as Randy Shilts’ And the Band Played On, Larry Kramer’s The Normal Heart, Tony Kushner’s Angels In America, Marie Howe’s What the Living Do, Sarah Schulman’s My American History, Mark Doty’s My Alexandria, Carole Maso’s The Art Lover, and Michael Klein’s Poets for Life. Sometimes I find that there is a disconnect between students’ ability to read a text critically and to find connections between their own lives and HIV/AIDS. Students are often judgemental about HIV/AIDS and the ways in which people become seropositive. Through this lesson, I am interested in pushing students past a “blame the victim” mentality and toward a substantive connection with HIV/AIDS. In this lesson, I am able to connect the readings of the course to the larger pandemic. Procedure 1. Begin having students view the archive section of the Names Project
AIDS Memorial Quilt. Ask them to view 3 individual panels (set up panel
suggestions in Blackboard preceding the class). Suggestions I did this activity in an LIB 200 course that met once a week for 3 hours. I also did it in an ENG 101 cluster course that met twice a week for 2 hours. In the latter, I asked students to do their exploration/reflection in the first class session and the creation of the quilt squares and large group discussion in the second class session. I preferred the intensity of the 3 hour session. Additionally, the first time I led this exercise, the college had a portion of the AIDS Memorial Quilt for World AIDS Day, so I had students explore the actual Quilt. While the web cannot replace the tangibility of the Quilt, the visual impact of the individual squares is significant and students find it compelling. Sequentially in the term, this activity follows the reading and discussion of the HIV/AIDS texts. Further Reading/References The AIDS Quilt Songbook [sound recording]. France: Harmonia
Mundi France, The Body: An HIV and AIDS Information Resource. Brown, Joe, ed. A Promise to Remember : The NAMES Project Book of
Letters. Crimp, Douglas. AIDS Demographics. Seattle: Bay Press, 1990. Jones, Cleve. Stitching a Revolution: The Making of an Activist.
New York: Margolies, Paul. Always Remember : The Names Project AIDS Memorial
Quilt : The Names Project AIDS Memorial Quilt. www.aidsquilt.org. The Names Project AIDS Memorial Quilt On-Line Archive. Shepard, Benjamin and Ronald Hayduk. From ACT UP to the WTO: Urban
UNAIDS, The Joint United Nations Programme on HIV/AIDS. Wallis, Brian, ed. Democracy: A Project by Group Material.
Seattle: Bay Press, |
J.
Elizabeth Clark, Ph.D. (lclark@lagcc.cuny.edu)
![]() This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. Site Credits: This site was last updated on 13 May 2009. Site designed and maintained by J. Elizabeth Clark. Technical Assistance provided by Delwar Sayeed and Priscilla Stadler. |
|
Sample Lessons: Statement of Teaching Philosophy Public vs. Private: What's Okay to Share? |